It’s 2014, we’ve got 14K followers on Twitter, there’s just under 14 days left to submit to our Fiction Prize. In honor of all of this synchronicity we give you 14 reasons why we love this year’s final judge, Roxane Gay. Read on to find out some of the (many, many) reasons we swoon for her and why you should too!
Lately, my Christmas list consists of a series of subscriptions to lit journals, and this year I was lucky enough to get One Story—and even luckier that the first booklet that landed in my mailbox was Laura Spence-Ash’s “The Remains.” Spence-Ash tells the story of Mrs. Constantine in five distinct sections, from five points-of-view, none of them Mrs. Constantine’s. We meet the main character, in fact, by meeting her corpse, which has been decaying in her half of a Queens duplex for months. One of the remarkable and memorable components of this piece is the care and attention Spence-Ash brings to her choice of characters who fill out the—well, the remains—of Mrs. Constantine.
The cast includes a spectrum of familiarity to the woman, and in that way, a spectrum of peculiarity when we remember that Mrs. Constantine’s remains have gone unnoticed for nearly a year. The police sergeant who discovers her and the reluctant seamstress who used to do her alterations could hardly be blamed for not realizing the woman hasn’t been around in some time. But when Spence-Ash introduces Mrs. Constantine’s next door neighbor, a young mother who admits to herself that she smelled something strange earlier in the year, I began to question my own passivity and the ease with which we can explain away truths that are uncomfortable. Spence-Ash raises the stakes with Bob MacMillan, Mrs. Constantine’s old boss, who called the police when she stopped showing up to work, but has quietly resigned to her absence. In a heartbreaking final section, we meet Mrs. Constantine’s ex-husband, a man who has moved on where the dead woman could not.
“The Remains” captures brief moments and realizations that each of these characters go through, pulling together deft outlines of what the lonely death means for them all, while also constructing a subtle portrait of the deceased. Perhaps my favorite part of this story, however—which I first read in January and think about and re-read regularly—is the little note in Ms. Spence-Ash’s bio which informs us that “this is her first published story.”
Warning: This review contains no spoilers. Viewer discretion advised.
It’s 8:54 AM on a Thursday in July and I’m standing in a Hudson Book Sellers at Chicago Midway Airport.
In 25 minutes I’ll be departing for Las Vegas.
In 25 minutes it will be me and Lana Del Rey cruising Southwest Airlines, eating hard shitty pretzels, and wondering why this Bachelors Party had to be in Vegas.
But for now it’s me and Cindy. Cindy, who is working the morning shift at this Hudson Book Sellers.
Midway Airport is like the Mos Eisley of Airports. You will never find a more wretched hive of scum and villainy. One must be cautious when flying.
South side. Dirty side. Midway is like a postage stamp for pedestrian flight and I’m not sorry.
I lived in Pilsen before it was cool. #SweetHomeChicago
But here I am, with a bag of McDonald’s Hash Browns, looking for a book to read before I lose myself to Sin City.
I should have known better.
Why I would find a book worthy of a 4 hour flight? What good can possibly come from a Hudson’s Book Sellers?
The usual players are displayed neatly in the window:
James Patterson: Row 1, Seat A.
Elizabeth Gilbert: Row 1, Seat B.
Nicholas Sparks: Row 1, Seat C.
John Green: Row 1, Seat D.
Paul Asta Row 26, Seat E.*
*In reality I am B46, because Southwest does that weird non-assigned seats thing.
I am taking coach to a whole new level of sadness, and we’ve been sad for a long time.
The Fault in Our Stars is flying off the shelves at a record pace. It’s the paperback of the summer, and I’ve seen at least 6 copies as I walk to my terminal.
But then, in the darkest corner, behind a cardboard standup display for Trident Gum, I see it:
NATIONAL BOOK AWARD FINALIST.
PULITZER PRIZE WINNER.
Friends, I tell you, even in darkness, there is hope: The Lowland by Jhumpa Lahiri
In truth, I have never read anything by Jhumpa Lahiri before, so I cannot speak to how the Lowland compares to her other work.
But I will say I find her prose engaging, face paced, and lively. And it is perhaps for this reason I am willing to overlook certain points where things don’t add up.
I am a sucker for coming of age stories and stories that concern brothers.
I am a sucker for character driven narratives as opposed to plot driven ones.
I appreciate characters that can show emotional complexity over a span of time and represent a full spectrum of feelings as opposed to having singular drives.
In this way, I believe Lahiri is successful.
If you’re looking for an emotional, character driven novel, The Lowlands is for you.
Also, possibly The Fault in Our Stars, but I don’t know.
All I can say is If you’re looking for book at Hudson’s, look in the corners of the bookshelves. There’s something for everyone.
The fault is you not looking hard enough.
Judge Carol Guess has selected “The Girl Next Door to the Girl Next Door,” by Amy Woolard, as the winner of Indiana Review‘s 2014 1/2K Prize! Woolard’s poem will appear in a forthcoming issue of Indiana Review. We received more than 500 submissions, a record number of excellent quality and variety. All work was read anonymously and closely by our editors. Thanks to all who submitted their work for consideration and made this year’s Prize possible.
2014 Indiana Review 1/2K Prize Winner:
“The Girl Next Door to the Girl Next Door”
Guess has this to say about the winning piece: “The sounds in this poem lured me into the story–repetition and rhyme in service to character and scene. I love the juxtaposition between sweet and staccato, and the way the tone shifts from delicate details to harsh colloquialisms. The narrator’s a mystery to me, which I like, but the girl isn’t a mystery at all– she’s true to this town and time. It’s nice to start with a girl who’s alive, for a change, and to let the girl’s escape be the truth of the story.”
“Weekend” by Shane Kowalski
“The Alexandria Story” by Corinne Schneider
“The Golden Rule” by Lo Kwa Mei-en
“How to Walk Backwards Into a Black & White House” by Amy Woolard
“The Fable” by Gary Leising
“Untitled” by Don Judson
“Killing Time” by A.B. Francis
“Instructions for Womanhood” & “Conspiracy to Commit Larceny” by Jennifer Militello
“The Stone Cold Rule” by Lo Kwa Mei-en
Submissions to our 2014 Fiction Prize are open from September 1 to October 31. Our judge is the fabulously talented Roxane Gay. Here, Gay answers questions asked her about her favorite short stories, the critical importance of the title, which “writing rule” she’s wary of, and what she’d be up to in Ina Garten’s kitchen.