Posts Tagged: submissions

Interview with 2014 1/2 K Prize Judge: Carol Guess

The August 15 deadline for submissions to the 2014 1/2 K Prize is fast approaching. We know this is equal parts exciting and terrifying, so please try to remember to breathe.

In the meantime, check out this interview with our current 1/2 K Prize judge Carol Guess.

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Carol is a professor of Creative Writing and Literature at Western Washington University, but as novelist and poet herself, she understands the plight of the struggling author in a fiercely competitive publishing world. You can find her excellent piece, co-written with Kelly Magee, “With Fox,” in our Winter 2014 issue. She graciously answered a few questions here about what she looks for as a judge and what advice she has for aspiring writers. Read more…

Announcing the 2013 Fiction Prize Winner!

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Judge Claire Messud has selected “Boomerang,” by Summer Wood, as the winner of Indiana Review‘s 2013 Fiction Prize! We received more than 300 short story submissions of impressive quality and range, all of which were read anonymously by our editors. We’re happy to also announce the runner-up and finalists.

Of the finalists,  Ms. Messud writes, “The stories I read were so full of talent, so diverse, so lively and so interesting. The authors’ gifts are so distinct, and each so different. Each of these stories is a winner.”

2013 Indiana Review Fiction Prize Winner

“Boomerang”

Summer Wood

On why she chose Wood’s story, Messud writes:  The story that I’ve chosen as the winner is BOOMERANG: not only is the prose precise, evocative and at times gorgeous, the author manages to move seamlessly between the narrator’s present voice — as an adult gay man in San Francisco — and his childhood experiences. The complexity of the characters and relationships evoked is impressive, and profoundly moving; and this story manages to imbue the narrative with both subtlety and tenderness, when it could, in less adroit hands, have run the risk of cliché.

Runner-Up

“Wolves”

Caitlin O’Neil

Messud:  As runner-up, I’ve chosen WOLVES. Again, it is the resonant richness of character that strikes me most. There are no grand dramas, here, but rather a wise and thoughtful attentiveness to the force of the interior life, and a close attention to detail. The story takes place in the course of an afternoon and evening (with a coda the following morning), but its protagonist’s thoughts and memories give us the delicate outline of an individual and of her life. The prose in this piece is beautifully controlled; the authorial voice is strong and effective; the story, in its simplicity, is haunting. 

Congratulations to our winner and runner-up, whose work will be published in Indiana Review summer 2014 issue. Thank you to everyone who submitted. We truly appreciate your thoughtful and excellent work.

Finalists

Lisa Beebe, “Wildflowers”

Michael Campbell, “What Are You Doing? What Are You Doing Now?”

Gwen E. Kirby, “The Disneyland of Mexico”

Mary McMyne, “Camille”

Amy Rossi, “When I Say I Am Fine, What I Mean Is Empty”

Dominic Russ-Combs, “Manglevine”

 

“Middle Space”: Call for Submissions!

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Call for Indiana Review’s Special Themed Folio: MIDDLE SPACE

Bending the rules of craft is not a new thing. Bold steps and subtle transformations are how we move forward in literature, in society, and in ourselves. For a special folio in our Summer 2014 issue, we’re seeking work—in both form and content—that blurs genres and breaks down preconceptions, narratives of transgression that make us question our boundaries of what a literary work is and can do.

Keywords to consider and inspire: boundaries, borders, limits, edges, duality, on the verge, transformation, transgression, travel, movement, bodies, collapse, collage, correspondence, collaboration, middle space.

Click through for guidelines and deadlines!

Read more…

Dear Diary

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I love the careful refinement and precision of a good manuscript. But sometimes, when I’m not attending to submissions or screening essays for publication, I just want to lie back, relax, and read someone else’s diary.

“Why do we read a writer’s journal?” Susan Sontag asks in her 1962 essay, “The Artist as Exemplary Sufferer.” Is it, she continues, “because it illuminates his books? Often it does not.”

More likely, Sontag says, we read a writer’s journal “simply because of the rawness of the journal form, even when it is written with an eye to future publication. Here we read the writer in the first person; we encounter the ego behind the masks of ego in an author’s works. No degree of intimacy in a novel can supply this.”

In a recent review of Sontag’s published journals, Rachel Luban suggests that Sontag always expected the eventual publication of her own notebooks and wrote in anticipation of being read. Luban says, “Given [Sontag’s] ambitions, she must have hoped they might one day reach a wider audience. Reading them, we are always looking at Sontag looking at us looking at her.” Read more…

Interview With 2012 Fiction Prize Winner: CB Anderson

As we enter the final weeks of the 2013 Fiction Contest, many writers are faced with the question: What does it take to win?

Because submitting work can feel a bit like fishing in the dark with your firstborn child as bait, we asked last year’s winner, CB Anderson, to say a few words about her creative process and to share a few strategies for success in short fiction.

Anderson’s prize-winning story “Mavak Tov” will soon be published in her collection River Talk. The book contains 17 stories — a combination of short and short-short fiction forthcoming from C&R Press in 2014 . Be sure to check it out!

In response to “Mavak Tov,” last year’s judge Dana Johnson writes:

This story haunted me. The main character’s longing and desire for comfort, for a place to be, is so powerful and recognizable, as is the conflict and question this story poses, not just for the main character but for all of us: At what price do we achieve comfort? At what point do we reject what is easy and familiar for something far more necessary, which is true agency and power? This essential question is explored through a beautifully rendered relationship between a mother and her daughter and between the wives of one polygamist man, in gorgeous, unflinching detail. Read more…