Indiana Review is honored to be part of The Creative Process, an exhibition and international educational initiative traveling to leading universities. As part of the exhibition, portraits and interviews with writers and creative thinkers are being published across a network of university and international literary magazines. The Creative Process is including work by Indiana Review contributors in the projection elements of the traveling exhibition.
Posts Categorized: Interview
The 2018 Poetry Prize is open until March 31st. In this interview, 2017 Poetry Prize winner Kristen Steenbeeke shares her process for writing “Apocalypse Dream Again” and a few of the themes explored in her work-in-progress. We close with a link to her visual work and an uttered image of fractured selves.
The 2018 Poetry Prize is open until March 31st. In this interview, final prize judge Gabrielle Calvocoressi discusses vulnerability and changing as a reader, Amazon algorithms, experimental poetry, and much more.
Gabrielle Calvocoressi’s first book, The Last Time I Saw Amelia Earhart, was shortlisted for the Northern California Book Award and won the 2006 Connecticut Book Award in Poetry. Her second collection, Apocalyptic Swing, was a finalist for the 2009 Los Angeles Times Book Prize. Her awards and honors include a Stegner Fellowship, a Jones Lectureship at Stanford University, and a Rona Jaffe Women Writers’ Award. Her poem “Circus Fire, 1944” received The Paris Review’s Bernard F. Connors Prize. She teaches at the MFA programs at California College of Arts in San Francisco and at Warren Wilson College. She also runs the sports desk for the Best American Poetry Blog.
The 2018 Blue Light Books Prize for an outstanding story collection is open until February 9. In this interview, final prize judge Samrat Upadhyay discusses writing politics, madness, and what he expects from a powerful short story collection.
Samrat Upadhyay is the author of the short story collections Arresting God in Kathmandu (Houghton Mifflin, 2001), The Royal Ghosts (Houghton Mifflin, 2006), and Mad Country (Soho Press), and the novels The Guru of Love (Houghton Mifflin, 2003), Buddha’s Orphans (Houghton Mifflin Harcourt 2010), and The City Son (Soho Press 2014). Upadhyay has also co-edited the anthology Secret Places: New Writing from Nepal (University of Hawai’i Press). His honors include a Whiting Writers’ Award, an Asian American Literary Award, and the Society of Midland Authors Book Award. He teaches in the MFA program at Indiana University – Bloomington.
The 2017 Fiction Prize is open September 1 through October 31! In this interview, the 2016 Fiction Prize winner, Kimberly King Parsons, discusses the real/surreal divide of “Nothing Before Something,” writerly obsessions, and advice to those submitting pieces for this year’s Fiction Prize.
Fiction by Kimberly King Parsons has been published or is forthcoming in Best Small Fictions 2017, No Tokens, New South, Black Warrior Review, Ninth Letter, Kenyon Review, and elsewhere. Her literary criticism has appeared in Bookforum, Time Out New York, Fanzine, and elsewhere. She was the winner of the 2016 Indiana Review Fiction Prize, placed second in the Joyland Open Border Fiction Prize, and was runner-up in the 2017 Kenyon Review Short Fiction Contest. Find her at kimberlykingparsons.com