Posts Categorized: Interview

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Interview with 2015 1/2K Prize Judge: Kim Chinquee

kimchinqueeOur 2015 1/2K Prize judge is the phenomenal Kim Chinquee, whose excellent story, “Darling,” will appear in The Indiana Review issue 37.2, Winter 2015. Here she discusses her thoughts on short-short work, dealbreakers, and what she might be looking for in the prize-winning entry.

Kim Chinquee is the author of the collections PRETTY, PISTOL, and OH BABY. Her website is www.kimchinquee.com.

 

1) When and how did you start writing short-short work?

I wrote my first flash fiction piece in 2000, in Mary Robison’s workshop at the University of Southern Mississippi’s Center for Writers. It was my second semester as a graduate student. She had asked the students to bring in something short, so I wrote a piece called “Pure Gold,” which I sent to NOON. It was accepted by Diane Williams, and retitled “The Top Shelf.” I continued writing flash fictions, along with longer work, and seem to have better luck with the flashes.

2) We hear a lot about the challenge of “compressing” in short-short work. Can you speak a bit to how you’ve found this to be the case or not, and to any other challenges you encounter in writing?

My biggest challenge is writing longer work. I’ve become so accustomed to writing short work that my internal editor is sometimes hyperactive.  Lately, I’ve been trying to write more, and then scale back, after I can see the work objectively. I find enjoyment in that.

3) “Choo and Rumble” is at once highly specific and vast in its thematic scope and treatment of time. What are some of your thoughts on the responsibility of short-short work at large, or some myths about it that you want to debunk?

I admire senses and scenery in short-short work. And jumps in time and space. More showing, less telling. Sometimes language play. Breaking limits and boundaries. In short-short work, it’s interesting to break the rules.

4) Do you have any hard and fast “dealbreakers” in writing? Any pet peeves?

Ending the piece by saying it’s a dream. Fiction is already a dream, so it takes the dream out of it when a narrator announces to the reader it’s a dream. On the other hand, I think dreams can make interesting stories, and can sometimes add depth to fiction, as long as the narrator doesn’t point out that the “dream” is a dream.

5) What might you be looking for in the prize-winning entry?

Originality. Interesting language, sensory details, themes. And lots of surprises!

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Interview with Indiana Review Contributor: D. Gilson

dgilsonheadshotD. Gilson’s essay, “On Faggot: an Etymology,” appeared in The Indiana Review issue 35.1 and was selected by John Jeremiah Sullivan as a notable essay in The Best American Essays 2014. Here’s an interview with Gilson in which he discusses his piece, touring Anne Hathaway’s cottage, what his essay so easily could have been, and what he pushed it toward instead.

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Interview with IU Creative Writing Faculty: Elizabeth Eslami

We’re proud to have the fantastic Elizabeth Eslami join the Indiana University Creative Writing Program as a Visiting Lecturer. Her collection and novel chilled us; we felt the words cold in our bones. Here Elizabeth answers questions posed her about her writing habits, the deft handling of place in her work, her forthcoming novel, and how she believes in magic.Elizabeth Eslami - photo IU

Elizabeth Eslami is the author of the story collection Hibernate, for which she was awarded the Ohio State University Prize in Short Fiction, and the acclaimed novel Bone Worship (Pegasus, 2010). Her essays, short stories, and travel writing have been published widely, most recently in The Literary Review, The Sun, and Witness, and her work is featured in the anthologies Tremors: New Fiction By Iranian American Writers and Writing Off Script: Writers on the Influence of Cinema. She’s a Visiting Lecturer in the Creative Writing Program at Indiana University.

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