Posts Categorized: Prizes

Announcing the 2013 Fiction Prize Winner!

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Judge Claire Messud has selected “Boomerang,” by Summer Wood, as the winner of Indiana Review‘s 2013 Fiction Prize! We received more than 300 short story submissions of impressive quality and range, all of which were read anonymously by our editors. We’re happy to also announce the runner-up and finalists.

Of the finalists,  Ms. Messud writes, “The stories I read were so full of talent, so diverse, so lively and so interesting. The authors’ gifts are so distinct, and each so different. Each of these stories is a winner.”

2013 Indiana Review Fiction Prize Winner

“Boomerang”

Summer Wood

On why she chose Wood’s story, Messud writes:  The story that I’ve chosen as the winner is BOOMERANG: not only is the prose precise, evocative and at times gorgeous, the author manages to move seamlessly between the narrator’s present voice — as an adult gay man in San Francisco — and his childhood experiences. The complexity of the characters and relationships evoked is impressive, and profoundly moving; and this story manages to imbue the narrative with both subtlety and tenderness, when it could, in less adroit hands, have run the risk of cliché.

Runner-Up

“Wolves”

Caitlin O’Neil

Messud:  As runner-up, I’ve chosen WOLVES. Again, it is the resonant richness of character that strikes me most. There are no grand dramas, here, but rather a wise and thoughtful attentiveness to the force of the interior life, and a close attention to detail. The story takes place in the course of an afternoon and evening (with a coda the following morning), but its protagonist’s thoughts and memories give us the delicate outline of an individual and of her life. The prose in this piece is beautifully controlled; the authorial voice is strong and effective; the story, in its simplicity, is haunting. 

Congratulations to our winner and runner-up, whose work will be published in Indiana Review summer 2014 issue. Thank you to everyone who submitted. We truly appreciate your thoughtful and excellent work.

Finalists

Lisa Beebe, “Wildflowers”

Michael Campbell, “What Are You Doing? What Are You Doing Now?”

Gwen E. Kirby, “The Disneyland of Mexico”

Mary McMyne, “Camille”

Amy Rossi, “When I Say I Am Fine, What I Mean Is Empty”

Dominic Russ-Combs, “Manglevine”

 

2013 Pushcart Prize Nominations!

PushcartPrize_2014coverWe are excited and proud to announce our nominations for this year’s Pushcart Prizes:

From Summer 2013 IR 35.1:

“Patrón,” by Oliver Bendorf (poetry)

Two on a Horse,” by J. Bowers (fiction)

“The Sweeper,” by Jessica Masterton (fiction)

 

Forthcoming in Winter 2013 IR 35.2:

“Eduardo,” by David J. Daniels (poetry)

“Cartesian Anxiety in a Bleeding I,” by Camellia Freeman (nonfiction)

“Cheek Teeth,” by Annie Hartnett (fiction)

 

Our fingers are crossed for these exceptional works!

 

Interview With 2012 Fiction Prize Winner: CB Anderson

As we enter the final weeks of the 2013 Fiction Contest, many writers are faced with the question: What does it take to win?

Because submitting work can feel a bit like fishing in the dark with your firstborn child as bait, we asked last year’s winner, CB Anderson, to say a few words about her creative process and to share a few strategies for success in short fiction.

Anderson’s prize-winning story “Mavak Tov” will soon be published in her collection River Talk. The book contains 17 stories — a combination of short and short-short fiction forthcoming from C&R Press in 2014 . Be sure to check it out!

In response to “Mavak Tov,” last year’s judge Dana Johnson writes:

This story haunted me. The main character’s longing and desire for comfort, for a place to be, is so powerful and recognizable, as is the conflict and question this story poses, not just for the main character but for all of us: At what price do we achieve comfort? At what point do we reject what is easy and familiar for something far more necessary, which is true agency and power? This essential question is explored through a beautifully rendered relationship between a mother and her daughter and between the wives of one polygamist man, in gorgeous, unflinching detail. Read more…

Interview with 2013 Fiction Prize Judge: Claire Messud

Time is running out to submit to the 2013 Fiction Prize! With only three weeks left, we encourage everyone to dive in and submit their stories for a chance to win. In order to make the seemingly daunting task a little easier, we asked this year’s judge, Claire Messud, to offer some advice to aspiring fiction writers.

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Claire Messud‘s novels include The Emperor’s Children, which was a New York Times Best Book of the Year in 2006 and long-listed for the Man Booker Prize. Messud most recently wrote The Woman Upstairs and teaches in the MFA program at Hunter College (CUNY).

She graciously took the time to answer a few of our questions about what makes a story memorable and how to write resonance in “a world of toothpaste and candy bars.”

IR: What catches your attention most in the first paragraph of a story?

It’s hard to pinpoint what, exactly, catches attention. But as a reader, you want to be swept into a world. You don’t need to know everything about that world straight away, but you need to believe in it from the first paragraph. There are lots of ways for a writer to accomplish that — through voice, through detail, through style, through setting. I think it also always helps for a reader to feel that the prose is conveying a lot, is working on different levels, right from the beginning.

Read more…

Interview with Half-K Prize Judge Dinty Moore

Only two weeks remain to submit to Indiana Review’s Half-K Prize Contest! But before you succumb to a series of massive panic attacks that leaves you sitting paralyzed in front of a blank Word document, take a second to gain some insight from this year’s judge, Dinty Moore.

Moore is the author of numerous books including the Grub Street Nonfiction Book Prize Winner Between Panic & Desire, and the editor of Brevity, an online magazine that accepts brief submissions of less than 750 words (sound familiar?).

He answered some of our questions about what makes a compressed story powerful and gripping—like a “cup of coffee five times stronger than the usual.”

Click here to read the entire interview with Moore!
Read more…