The 2018 Poetry Prize is open until March 31st! For this Twitter contest, we’re asking you to Tweet us a haiku about spring. It’s a subject that’s been visited by lots of poets…How will you make it new? If you’re unfamiliar with the form, a haiku is a “Japanese verse form most often composed, in English versions, of three unrhymed lines of five, seven, and five syllables. A haiku often features an image, or a pair of images, meant to depict the essence of a specific moment in time” (Poetry Foundation). Be sure to hashtag your poem with #IRSpring. Entries are due by Sunday, March 18th.
Posts Categorized: Prizes
The 2018 Poetry Prize is open until March 31st. In this interview, final prize judge Gabrielle Calvocoressi discusses vulnerability and changing as a reader, Amazon algorithms, experimental poetry, and much more.
Gabrielle Calvocoressi’s first book, The Last Time I Saw Amelia Earhart, was shortlisted for the Northern California Book Award and won the 2006 Connecticut Book Award in Poetry. Her second collection, Apocalyptic Swing, was a finalist for the 2009 Los Angeles Times Book Prize. Her awards and honors include a Stegner Fellowship, a Jones Lectureship at Stanford University, and a Rona Jaffe Women Writers’ Award. Her poem “Circus Fire, 1944” received The Paris Review’s Bernard F. Connors Prize. She teaches at the MFA programs at California College of Arts in San Francisco and at Warren Wilson College. She also runs the sports desk for the Best American Poetry Blog.
Indiana Review is proud to announce the winner of our 2018 Blue Light Books Prize #IRBlueLight Twitter Contest! We received lots of well-crafted tweets about our prize’s namesake and after studious deliberation, we chose one winner who will receive an IR prize pack and free entry into our 2018 BLB Prize.
Congratulations to our winner, @matadorthefirst!
The 2018 Blue Light Books Prize for a story collection is open until February 9! For this winter’s Twitter contest, we’re asking you to feature the prize’s namesake. In 280 characters or less, write a story that includes a blue light. Maybe it’s a set piece, maybe it’s the main character, maybe it’s the hinge on which the whole daring narrative turns. That’s up to you. Be sure to hashtag your story with #IRBlueLight. Entries are due by Friday, January 26.
- That morning the sun rose blue, dousing the town in an aquarium glow. While our parents watched the weather report and fretted, we embraced our new roles, and flopped on our bellies like beached fish. #IRBlueLight
- When I’m in new groups–for a job, a class, whatever–& that superpower question that always comes up comes up, I just stare at the light bulbs overhead, change them white to blue. At this rate, I’ll end up in a room with somebody who can change them back. #IRBlueLight
The 2018 Blue Light Books Prize for an outstanding story collection is open until February 9. In this interview, final prize judge Samrat Upadhyay discusses writing politics, madness, and what he expects from a powerful short story collection.
Samrat Upadhyay is the author of the short story collections Arresting God in Kathmandu (Houghton Mifflin, 2001), The Royal Ghosts (Houghton Mifflin, 2006), and Mad Country (Soho Press), and the novels The Guru of Love (Houghton Mifflin, 2003), Buddha’s Orphans (Houghton Mifflin Harcourt 2010), and The City Son (Soho Press 2014). Upadhyay has also co-edited the anthology Secret Places: New Writing from Nepal (University of Hawai’i Press). His honors include a Whiting Writers’ Award, an Asian American Literary Award, and the Society of Midland Authors Book Award. He teaches in the MFA program at Indiana University – Bloomington.