Posts Tagged: Feature

Nonfiction Feature: “kafir 1 & 2” By Tarfia Faizullah

 

kafir 1

 

It’s been twenty years since my sister died in the car accident. For twenty years I’ve been telling slightly different versions of her death and the aftermath. None of them are true. All of them are true.

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Kufrul-‘Inaad is disbelief out of stubbornness. This applies to someone who knows the truth and admits to knowing the truth, and knows it with his or her tongue, but refuses to accept it and refrains from making a declaration.

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One night during college at a party in someone’s dark dorm room, someone decided it would be fun to make a drinking game out of how many things in common we had with our siblings. The lava lamp in the corner made our faces seem like the topographies of far- away planets. “What about you, Tarfia?” he asked.

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“Throw into hell every obstinate disbeliever,” Allah says a few verses later. “Why are you so stubborn?” everyone in my life who has ever loved me has asked. “Why is it so hard for you to back down?”

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“I don’t have any siblings,” I said, thrumming the amber neck of the beer bottle with my fingers.

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In verse 50:19 of the Qur’an, Allah says to the disbeliever, “And the intoxication of death will bring the truth; that is what you were trying to avoid.”

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“She’s not dead,” I said when my parents came to visit me in the hospital a few days after my sister had gone into cardiac arrest. My arm was in a sling, freshly plastered hours after surgery that was meant to correct the damage done to my shoulder during the car accident. My mother’s face was a map of bruises. I couldn’t look directly at any of the new countries of her ruptured skin. “She can’t be.”

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How can death simultaneously intoxicate and bring truth? If the very cells that allow us to experience intoxication stop functioning, how do our brains process, allow, or deny truth? That is to say, truth is like memory in that it is not so much a set of discrete memories as much as it is a set of processes by which we encode, store, and retrieve information.

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“It’s just me and my sister,” I say to the lipsticked and rouged woman ringing up the bottle of perfume I’m buying for my mother at the makeup counter at Dillard’s. It is strange how easy it is to not continue with “…but she hasn’t been alive for twenty years.” “I’m about five years older,” I say, and she lights up. “That’s the age difference between me and my sister!” she says, and I smile and sign my name on the credit card slip with a flourish.

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In many ways, kufr is synonymous with atheism, which is the rejection of a belief in the existence of deity. But is it still disbelief if you are rejecting belief in someone or something that no longer exists?

 

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Poetry Feature: “Patrón” by Oliver Bendorf

 

Patrón

Patrón skips
chemistry
to teach his mother
how to dance.

They tumble
along balance bars
while her pearled
dreams drip
to the floor.

They dance
underwater
in a room
of salty tears.

All the better
to dip you with
he says.

Patrón
she says
how you give.

Some floors
are better made
for grief.

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Mother he says
I’d prefer
to grow up
diagonal.

She sets a bowl
of tomato soup
in front of him
while he
polishes his shoes.

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I am waiting
patiently
Patrón informed
a snowdrift.

December
and he’s learned
to dip cookies
one by one
in a cauldron
of chocolate.

Between his
fingers he lets
sprinkles fall
in the shape
of how his
voice used to
sound when
he laughed.

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Fiction Feature: “The Stray Curse” by Karen Heuler

This is the kind of thing that happens all the time, though not to everyone and not everywhere.

Gina had long brown hair and brown eyes and smooth skin and a mother she didn’t see every day; she was grown and had her own world and that was the way it should be; Gina’s mother had left her mother, who had left her mother, a long string of mothers being left and knowing they had done it in turn, and turn again.

But all of a sudden Gina felt a strange tug at her back. It began with an itch, then a bruise, then a feeling like there was a hook in her spine. She turned around to see what it was, and as soon as she turned the pain went away. But when she shrugged and turned again, it came back fierce and strong. She couldn’t move forward; it hurt her back; she turned around and took a step then a hurried step. She was sure it was her mother pulling her home.

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Poetry Feature: “The White-Haired Girl,” by Sally Wen Mao

1945

I will return your spurn with a curtsy
whipped in boiling water.
Cut the red ribbon from my hair,
what’s left of my youth. Lotus seeds slide
down your throat—does it taste chaste?
The fugue of winter casts shadows
on the furnace—how it glowers
like the limpets buried in my hair,
handfuls of which you pull
towards shore, toward stagnation.
My destination is not this village,
where boars shear off bad skin
in the river, dung and alderflies
thirsting for flesh. Am I maid
or mendicant? The unwrinkled bed
is not what sky aches for. I am no swooning
debt. Next I say escape and small gullies
bloom before me—dendriform paradise:
mountain, grotto, kindling. The lightning
in my temple wards off wolves. I bow
only to pick the ticks off my shoes,
brand them clean across your cheekbones.

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