Not far from where I live is a hill that was cut into by the moving water of a creek. Eroded this way, all that’s left of it is a broken wall of earth that contains old roots and pebbles woven together and exposed. Seen from a distance, it is only a rise of raw earth. But up close it is something wonderful, a small cliff dwelling that looks almost as intricate and well-made as those the Anasazi left behind when they vanished mysteriously centuries ago. This hill is a place that could be the starry skies of night turned inward into the thousand round holes where solitary bees have lived and died. It is a hill of tunneling rooms. At the mouths of some of the excavations, half-circles of clay beetle out like awnings shading a doorway. It is earth that was turned to clay in the mouths of the bees and spit out as they mined deeper into their dwelling places.
This place where the bees reside is at an angle safe from rain. It faces the southern sun. It is a warm and intelligent architecture of memory, learned by whatever memory lives in the blood. Many of the holes still contain the gold husks of dead bees, their faces dry and gone, their flat eyes gazing out from death’s land toward the other uninhabited half of the hill that is across the creek from these catacombs.