Posts Tagged: Short story

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Fiction Feature: “Down” by Carmen Maria Machado

Down

When a late-summer tornado leveled a nearby street four days after Sam’s eighth birthday, his father took him to see what was left. It was while standing in a crowd of gawking neighbors that Sam saw, with unprecedented wonder, that the surface structures for half the block were completely and utterly gone; their basements—the bones of their foundations—were exposed to the air.

It had never occurred to Sam that so much was underneath.

After that, he began to imagine, with some regularity, descending feet-first into the ground. As if in a kind of elevator, except he was the elevator, and able to see the things below, even when Mother Nature’s finger didn’t peel away the earth like a scab. He adored what could not be seen, what was definitely there in a way that could not easily be proven.

When he looked at gas stations, he saw volatile reservoirs of petrochemicals, motionless but dangerous. Trees were tangles of roots; stop signs were cement cylinders. During an early-season soccer game, Sam stopped just short of kicking the ball down the field because he could see nothing but aluminum cans, packed deep in the earth like razor blades in apples, flattened and buried after years of picnics and storms. When a group of protesters occupied a local park, Sam saw the sewage tank beneath their Porta-Potty, festering and blue.

When he and his father went camping in the mountains, Sam saw his stream of urine soaking into the pine needles as a constantly elongating shape, filtering unevenly through the layers of loam and dirt and stones in a funny, stretched-out line. This sent him into a fit of giggles. Only when it went on for four minutes, and then trickled off into a staggering moan, did his father realize that something was wrong. Sam said the word “her” seven times quickly, softer with each invocation, and then fell to the ground, twitching.

Full of guilt, the parents who had previously banned all video games on the grounds of brain-mush bought Sam Dig Dug.

Sam considered it the best present that he had ever received in his life. He slid the nub of the joystick one way, and then the other. He moved his man through bright layers of dirt like they were nothing. He made new paths and destroyed the monsters. His mother watched this from the doorframe, her lip curling in a way that she would remember twenty years later. She watched Sam sitting there, triangles of hair damp with sweat and plastered against his skin like a cartoon character’s, eyes focused on the screen, a drop of saliva in the crease of his mouth. She found herself reciting the title over and over in her head. Dig Dug. Dig Dug. Clipped present tense, protracted past. A thing that only ever got bigger.

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40.1 SNEAK PEEK: excerpt of DAY OF REST by KAITLYN ANDREWS-RICE

SP_Andrews-Rice_Day of Rest

 

Kaitlyn Andrews-Rice received her MFA from American University, where she served as Editor-in-Chief of Folio. She is the editor of Split Lip Magazine, and her short fiction appears or is forthcoming in Booth and Copper Nickel. She lives and writes in Manchester-by-the-Sea, Massachusetts. Find her online @thelegitkar or thelegitkar.com.

 

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The Pentecostal Bridegroom & IR’s New Reading Period

 

The Blue Light Books partnership between Indiana Review and Indiana University Press has yielded two beautiful books thus far–Andrea Lewis’ What My Last Man Did and Jennifer Givhan’s Girl with Death Mask–and we’re currently deciding which of your short story collections will make our third. Because of the interest in that prize, we’ve expanded the partnership to include a reading period, exclusively for fiction manuscripts. To honor the memory of Don Belton, we named the reading period after him and would like to share with you his story, “The Pentecostal Bridegroom,” first published in Indiana Review 12.1.

Learn more about the Don Belton Fiction Reading Period here. Submissions open April 15, 2018.

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Online Feature: “Wolves” by Caitlin O’Neil

The apples taunt her.  She can hear them falling to the ground, thud after thud, footsteps moving closer.  By now, she should have hired men.  She should be putting in ten-hour days, picking the branches clean, sweeping the ground for cider.  Instead Grace watches the trees knit together from neglect, snarling like uncombed hair.

“Open the orchard to pickers,” advises Ruth.  Her silvery hair is wound into a tight knot on her head that makes her look efficient and smart, like she is storing it up there for the winter. “People are crazy for apples this time of year.”

“I could use the money.”  Any money, Grace thinks.

“Paint some signs and see who shows up.  You’ll be surprised.” Of course, Ruth is biased.  Like everyone else in Rutland, Ruth is in on the apple picking, lending a hand at the Rudnick farm over by the lake.

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Blue Room: “In the Skin” by Katie Flynn

Katie Flynn reads from “In the Skin,” and we interview Associate Editor, Essence London, on why she voted for the piece. Listen here for an glimpse of our latest issue and insight into our selection process.

“In the Skin” was originally published in Indiana Review 39.2, Fall 2017.

Thanks to Youtube Audio Library and John Deley for letting us use “Beer Belly Blues.”